CULTURE

THE SINGULARITY

Topic: 

  • CULTURE
http://vimeo.com/79498173

I once spent a few days with the late dolphinologist John C. Lilly, M.D. Talking about advanced intelligence in other species. I asked him, "How can you say that dolphins are more intelligent than we are? Isn’t knowledge tautological? How can we know more than we do know? Who would know it, except us?" 

HOW DEMOCRACY WORKS (OR WHY PERFECT ELECTIONS SHOULD ALL END IN TIES)

W. Daniel Hillis
[11.19.00]

Danny Hillis, physicist and computer scientist, brings together, in full circle, many of the ideas circulating among third culture thinkers: Marvin Minsky's society of mind; Christopher G. Langton's artificial life; Richard Dawkins' gene's-eye view; the plectics practiced at Santa Fe. Hillis developed the algorithms that made possible the massively parallel computer. He began in physics and then went into computer science — where he revolutionized the field — and he brought his algorithms to bear on the study of evolution. He sees the autocatalytic effect of fast computers, which lets us design better and faster computers faster, as analogous to the evolution of intelligence. At MIT in the late seventies, Hillis built his "connection machine," a computer that makes use of integrated circuits and, in its parallel operations, closely reflects the workings of the human mind. In 1983, he spun off a computer company called Thinking Machines, which set out to build the world's fastest supercomputer by utilizing parallel architecture.

The massively parallel computational model is critical to an understanding of today's revolution in human communication. Hillis's computers, which are fast enough to simulate the process of evolution itself, have shown that programs of random instructions can, by competing, produce new generations of programs — an approach that may well lead to the first machine that truly "thinks." Hillis's work demonstrates that when systems are not engineered but instead allowed to evolve — to build themselves — then the resultant whole is greater than the sum of its parts. Simple entities working together produce some complex thing that transcends them; the implications for biology, engineering, and physics are enormous.


 

CROSSING CULTURES

Mary Catherine Bateson
[10.11.00]

 

"I think of my daughter and myself as having been born in different countries," says cultural anthropologist Mary Catherine Bateson. "We were actually born 30 years apart in the United States of America. That means we were born into massively different cultural environments. What occurred to me, and this is something I've felt for a very long time, is that you can use what people learn in the home, especially from age differences, to deal with other kinds of diversity. After all, we learn more at home before we get to school than we learn in school. And we learn about the nature of learning, fundamental things about relationships, so that we need to be more systematic in using learning within the home for the insight it offers to understanding things outside the home. Including learning to learn, of course."

Bateson asks us to "notice what it takes to communicate effectively across that generational gap. And then to realize that unfamiliar groups are different in the same kinds of ways, that you know how to bridge the gap, so that there's no need to be put off by the sense of strangeness, you can learn how to deal with strangeness in the home."

Sociologist Sara Lawrence-Lightfoot has made note of Bateson's "unique signature: Her uncanny ability to find the strange in the familiar, the ordinary in the exotic." In this regard, Bateson is rather unique among the third culture scientists on these pages as her particular writing style itself is key to an understanding of her work and ideas. "What I always wonder about with my writing," she says, "is whether people will be able to move from the specific, rather personal stories that I bring together to the general issues that I believe they represent. I need people to be able to move from the women in my new book Full Circles, most of whom are African-American, to the situation of men as well as women, people of all ethnic groups, people outside the United States who also live in a time of rapid change and increasing longevity. It's that capacity to apply analogies that some people seem to have while others don't."

Bateson purges abstractions from her books and makes way for stories, sometimes of people whose lives you might not think would be of interest to you, and allows those stories to carry the kernel of the ideas. "And in the process" she says, "the ideas become more nuanced, less cut and dried."

Given this context, I decided that one way to approach her work was to talk to her about her own story.

HUBERT BURDA: GERMANY'S AGENT OF CHANGE

Hubert Burda
[10.3.00]

Burda has the discipline of Germany but he also has certain qualities that Powerful Germany may not have respected in the past. He is stirring the pot, bringing people together, searching for new ideas, making things happen. When he meets talented people he brings them into his network, combines them into his mix. This is his discipline. This is his power. In addition to new people, he attracts new ideas, brings fruitful chaos to a world of certainty, shakes things up, and makes a mess out of the old order, the old way of thinking. Science (and the technology that follows) does not have to be beautiful or pure. Things do not need to be symmetrical or deducible from first principles. That esthetic, a great motivating force in science since Plato, is over. The sciences of complexity, which are the hallmark of the third culture, can be very messy. Out of chaos comes creativity. Hubert Burda is Germany's agent of change.

HUBERT BURDA is Chairman of the Board of Hubert Burda Media Holding. Under his leadership Burda Publishing, which was consolidated into Hubert Burda Media Holding in 1995, has grown into one of the most powerful and innovative media enterprises in Germany. With 4,400 employees, annual revenue in excess of DM 2.07 billion for 1998, the group's main areas are in publishing, printing and new media. The company is divided into 26 independent profit centers and has close to 30 different publications. Burda's strategy has been to develop international alliances with publishing companies including Hachette (Paris), RCS Rizzoli (Milano) and Dogan (Turkey). His work is best known through the publication of such titles as Focus, Bunte, Elle, Freundin, Das Haus and Freizeit Revue.

In the middle of the nineties, Burda developed his vision of interactive electronic media.Today, Hubert Burda Media is the biggest provider of German language Internet content, which includes the #1 and #2 Web sites in the German language: Focus Online and Haus & Garten, as well as the business-to-business service Health Online Service for medical practitioners. Recent Burda initiatives include a number of innovative, wholly owned Internet startups including TalkingWeb, Interactive Content Production (ICP) and Cyberlab, as well as investments in Heimwerker.de, OnVista, JustBooks and Ciao.

Hubert Burda's Edge Bio Page

[Simultaneously published in German by Frankfurter Allgemeine ZeitungFrank Schirrmacher, Publisher.]


HUBERT BURDA: GERMANY'S AGENT OF CHANGE

Topic: 

  • CULTURE
http://vimeo.com/79411493

Burda has the discipline of Germany but he also has certain qualities that Powerful Germany may not have respected in the past. He is stirring the pot, bringing people together, searching for new ideas, making things happen. When he meets talented people he brings them into his network, combines them into his mix. This is his discipline. This is his power. In addition to new people, he attracts new ideas, brings fruitful chaos to a world of certainty, shakes things up, and makes a mess out of the old order, the old way of thinking.

Wake-Up Call for Europe Tech

Frank Schirrmacher
[7.9.00]

Introduction
By John Brockman

On May 23rd, the German newspaper Frankfurter Allgemeine Zeitung published Frank Schirrmacher's manifesto "Wake-Up Call for Europe Tech", in which he calls for Europe to adopt the ideas of the third culture. "Europe," he writes, "should be more than just a source for the software of ego crisis, loss of identity, despair, and Western melancholy. We should be helping write the code for tomorrow."

Schirrmacher is a publisher of the newspaper, and his manifesto, a call to arms, is the beginning of a effort byFAZ to publish articles by and about third culture thinkers and their work. His goal: to change the culture of the newspaper and to begin a process of change in Germany and Europe.

Schirrmacher's program, a departure for FAZ, has been covered in the German press and has caused a stir in German intellectual circles. FAZ has played an important role in shaping German culture, and that has meant, until now, culture with a capital "C".

In a few short weeks since publication of his manifesto, Schirrmacher has brought the ideas of Bill Joy, Ray Kurzweil, V.S. Ramachandran, Patrick Bateson, James Watson, Craig Venter, among other notable thinkers to the forefront of public discussion in Germany, while also initiating a collaboration between FAZ and Edge, the first product of which was the recent simultaneous publication in English and German of David Gelernter's manifesto, "The Second Coming."

—JB

FRANK SCHIRRMACHER became head of the arts and science department of the Frankfurter Allgemeine Zeitung, one of the most influential German newspapers . He has been one of the publishers of FAZ since 1994.

Frank Schirrmacher's Edge Bio Page

REALITY CLUB:  George Dyson, Stewart Brand, Sebastian Schnitzenbaumer, Dave Myers, Clifford Pickover, Kai Krause, Jason McCabe Calacanis, Charles Simonyi, Mihalyi Csikszentmihalyi, J.C. Herz, Lee Smolin.

An Open Letter to Prince Charles

Richard Dawkins
[5.20.00]

Your Royal Highness,

Your Reith lecture saddened me. I have deep sympathy for your aims, and admiration for your sincerity. But your hostility to science will not serve those aims; and your embracing of an ill-assorted jumble of mutually contradictory alternatives will lose you the respect that I think you deserve. I forget who it was who remarked: "Of course we must be open-minded, but not so open-minded that our brains drop out."

PROGRESS IN RELIGION

Freeman Dyson
[5.15.00]

 

I do not make any clear distinction between mind and God. God is what mind becomes when it has passed beyond the scale of our comprehension. God may be either a world-soul or a collection of world-souls. So I am thinking that atoms and humans and God may have minds that differ in degree but not in kind.

Introduction
By John Brockman

On March 22, 2000 the Templeton Foundation announced that physicist Freeman Dyson had won the 2000 Templeton Prize for Progress in Religion. The Templeton Prize, awarded annually "to a living individual for outstanding originality in advancing the world's understanding of God or spirituality, is one of the world's largest monetary awards, this year valued at 600,000 pounds sterling, about $948,000. Created in 1972 by the pioneering global investor Sir John Templeton to remedy what he saw as an oversight by the Nobel Prizes, which do not honor the discipline of religion, the Templeton Prize is always set at an amount that exceeds the value of the Nobels. Previous Templeton Prize recipients include the Rev. Dr. Billy Graham, Aleksandr Solzhenitsyn, Charles Colson, Ian Barbour, Paul Davies, physicist Carl Friedrich von Weizsacker, and Mother Teresa.

The following is the text of Freeman Dyson's acceptance speech on May 16, in the Washington National Cathedral.

-JB

FREEMAN DYSON is professor of physics at the Institute for Advanced Study, in Princeton. His professional interests are in mathematics and astronomy. Among his many books are Disturbing The Universe, Infinite In All Directions Origins Of Life, From Eros To Gaia, Imagined Worlds, and The Sun, The Genome, And The Internet

Click here for Freeman Dyson's Edge Bio page


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